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Taylor Lee
 GARBAGE PERSON is an immersive installation that embraces “trash” as both subject and material in an examination of consumer culture and the demand for commodifiable identity in late-stage Capitalism. Artist, Taylor Lee Nicholson deconstructs high a
 GARBAGE PERSON is an immersive installation that embraces “trash” as both subject and material in an examination of consumer culture and the demand for commodifiable identity in late-stage Capitalism. Artist, Taylor Lee Nicholson deconstructs high a

GARBAGE PERSON is an immersive installation that embraces “trash” as both subject and material in an examination of consumer culture and the demand for commodifiable identity in late-stage Capitalism. Artist, Taylor Lee Nicholson deconstructs high and low culture in this work, encouraging patrons to interact with GARBAGE PERSON via a staged yard sale, collaborative art works, and a series of experiential programming that invites intimate connection and lasting impressions. McColl Center. Photos by Lindsey Miller. Opening Night performance by Darby Wilcox.

 GARBAGE PERSON is an immersive installation that embraces “trash” as both subject and material in an examination of consumer culture and the demand for commodifiable identity in late-stage Capitalism. Artist, Taylor Lee Nicholson deconstructs high a

GARBAGE PERSON is an immersive installation that embraces “trash” as both subject and material in an examination of consumer culture and the demand for commodifiable identity in late-stage Capitalism. Artist, Taylor Lee Nicholson deconstructs high and low culture in this work, encouraging patrons to interact with GARBAGE PERSON via a staged yard sale, collaborative art works, and a series of experiential programming that invites intimate connection and lasting impressions. McColl Center. Photos by Lindsey Miller. Opening Night performance by Darby Wilcox.

 GARBAGE PERSON is an immersive installation that embraces “trash” as both subject and material in an examination of consumer culture and the demand for commodifiable identity in late-stage Capitalism. Artist, Taylor Lee Nicholson deconstructs high a

GARBAGE PERSON is an immersive installation that embraces “trash” as both subject and material in an examination of consumer culture and the demand for commodifiable identity in late-stage Capitalism. Artist, Taylor Lee Nicholson deconstructs high and low culture in this work, encouraging patrons to interact with GARBAGE PERSON via a staged yard sale, collaborative art works, and a series of experiential programming that invites intimate connection and lasting impressions. McColl Center. Photos by Lindsey Miller. Opening Night performance by Darby Wilcox.

 GARBAGE PERSON is an immersive installation that embraces “trash” as both subject and material in an examination of consumer culture and the demand for commodifiable identity in late-stage Capitalism. Artist, Taylor Lee Nicholson deconstructs high a

GARBAGE PERSON is an immersive installation that embraces “trash” as both subject and material in an examination of consumer culture and the demand for commodifiable identity in late-stage Capitalism. Artist, Taylor Lee Nicholson deconstructs high and low culture in this work, encouraging patrons to interact with GARBAGE PERSON via a staged yard sale, collaborative art works, and a series of experiential programming that invites intimate connection and lasting impressions. McColl Center. Photos by Lindsey Miller. Opening Night performance by Darby Wilcox.

 GARBAGE PERSON is an immersive installation that embraces “trash” as both subject and material in an examination of consumer culture and the demand for commodifiable identity in late-stage Capitalism. Artist, Taylor Lee Nicholson deconstructs high a

GARBAGE PERSON is an immersive installation that embraces “trash” as both subject and material in an examination of consumer culture and the demand for commodifiable identity in late-stage Capitalism. Artist, Taylor Lee Nicholson deconstructs high and low culture in this work, encouraging patrons to interact with GARBAGE PERSON via a staged yard sale, collaborative art works, and a series of experiential programming that invites intimate connection and lasting impressions. McColl Center. Photos by Lindsey Miller. Opening Night performance by Darby Wilcox.

 GARBAGE PERSON is an immersive installation that embraces “trash” as both subject and material in an examination of consumer culture and the demand for commodifiable identity in late-stage Capitalism. Artist, Taylor Lee Nicholson deconstructs high a

GARBAGE PERSON is an immersive installation that embraces “trash” as both subject and material in an examination of consumer culture and the demand for commodifiable identity in late-stage Capitalism. Artist, Taylor Lee Nicholson deconstructs high and low culture in this work, encouraging patrons to interact with GARBAGE PERSON via a staged yard sale, collaborative art works, and a series of experiential programming that invites intimate connection and lasting impressions. McColl Center. Photos by Lindsey Miller. Opening Night performance by Darby Wilcox.

 GARBAGE PERSON is an immersive installation that embraces “trash” as both subject and material in an examination of consumer culture and the demand for commodifiable identity in late-stage Capitalism. Artist, Taylor Lee Nicholson deconstructs high a

GARBAGE PERSON is an immersive installation that embraces “trash” as both subject and material in an examination of consumer culture and the demand for commodifiable identity in late-stage Capitalism. Artist, Taylor Lee Nicholson deconstructs high and low culture in this work, encouraging patrons to interact with GARBAGE PERSON via a staged yard sale, collaborative art works, and a series of experiential programming that invites intimate connection and lasting impressions. McColl Center. Photos by Lindsey Miller. Opening Night performance by Darby Wilcox.

 GARBAGE PERSON is an immersive installation that embraces “trash” as both subject and material in an examination of consumer culture and the demand for commodifiable identity in late-stage Capitalism. Artist, Taylor Lee Nicholson deconstructs high a

GARBAGE PERSON is an immersive installation that embraces “trash” as both subject and material in an examination of consumer culture and the demand for commodifiable identity in late-stage Capitalism. Artist, Taylor Lee Nicholson deconstructs high and low culture in this work, encouraging patrons to interact with GARBAGE PERSON via a staged yard sale, collaborative art works, and a series of experiential programming that invites intimate connection and lasting impressions. McColl Center. Photos by Lindsey Miller. Opening Night performance by Darby Wilcox.

 GARBAGE PERSON is an immersive installation that embraces “trash” as both subject and material in an examination of consumer culture and the demand for commodifiable identity in late-stage Capitalism. Artist, Taylor Lee Nicholson deconstructs high a

GARBAGE PERSON is an immersive installation that embraces “trash” as both subject and material in an examination of consumer culture and the demand for commodifiable identity in late-stage Capitalism. Artist, Taylor Lee Nicholson deconstructs high and low culture in this work, encouraging patrons to interact with GARBAGE PERSON via a staged yard sale, collaborative art works, and a series of experiential programming that invites intimate connection and lasting impressions. McColl Center. Photos by Lindsey Miller. Opening Night performance by Darby Wilcox.

 GARBAGE PERSON is an immersive installation that embraces “trash” as both subject and material in an examination of consumer culture and the demand for commodifiable identity in late-stage Capitalism. Artist, Taylor Lee Nicholson deconstructs high a

GARBAGE PERSON is an immersive installation that embraces “trash” as both subject and material in an examination of consumer culture and the demand for commodifiable identity in late-stage Capitalism. Artist, Taylor Lee Nicholson deconstructs high and low culture in this work, encouraging patrons to interact with GARBAGE PERSON via a staged yard sale, collaborative art works, and a series of experiential programming that invites intimate connection and lasting impressions. McColl Center. Photos by Lindsey Miller. Opening Night performance by Darby Wilcox.

 GARBAGE PERSON is an immersive installation that embraces “trash” as both subject and material in an examination of consumer culture and the demand for commodifiable identity in late-stage Capitalism. Artist, Taylor Lee Nicholson deconstructs high a

GARBAGE PERSON is an immersive installation that embraces “trash” as both subject and material in an examination of consumer culture and the demand for commodifiable identity in late-stage Capitalism. Artist, Taylor Lee Nicholson deconstructs high and low culture in this work, encouraging patrons to interact with GARBAGE PERSON via a staged yard sale, collaborative art works, and a series of experiential programming that invites intimate connection and lasting impressions. McColl Center. Photos by Lindsey Miller. Opening Night performance by Darby Wilcox.

 GARBAGE PERSON is an immersive installation that embraces “trash” as both subject and material in an examination of consumer culture and the demand for commodifiable identity in late-stage Capitalism. Artist, Taylor Lee Nicholson deconstructs high a

GARBAGE PERSON is an immersive installation that embraces “trash” as both subject and material in an examination of consumer culture and the demand for commodifiable identity in late-stage Capitalism. Artist, Taylor Lee Nicholson deconstructs high and low culture in this work, encouraging patrons to interact with GARBAGE PERSON via a staged yard sale, collaborative art works, and a series of experiential programming that invites intimate connection and lasting impressions. McColl Center. Photos by Lindsey Miller. Opening Night performance by Darby Wilcox.

 GARBAGE PERSON is an immersive installation that embraces “trash” as both subject and material in an examination of consumer culture and the demand for commodifiable identity in late-stage Capitalism. Artist, Taylor Lee Nicholson deconstructs high a

GARBAGE PERSON is an immersive installation that embraces “trash” as both subject and material in an examination of consumer culture and the demand for commodifiable identity in late-stage Capitalism. Artist, Taylor Lee Nicholson deconstructs high and low culture in this work, encouraging patrons to interact with GARBAGE PERSON via a staged yard sale, collaborative art works, and a series of experiential programming that invites intimate connection and lasting impressions. McColl Center. Photos by Lindsey Miller. Opening Night performance by Darby Wilcox.

 GARBAGE PERSON is an immersive installation that embraces “trash” as both subject and material in an examination of consumer culture and the demand for commodifiable identity in late-stage Capitalism. Artist, Taylor Lee Nicholson deconstructs high a

GARBAGE PERSON is an immersive installation that embraces “trash” as both subject and material in an examination of consumer culture and the demand for commodifiable identity in late-stage Capitalism. Artist, Taylor Lee Nicholson deconstructs high and low culture in this work, encouraging patrons to interact with GARBAGE PERSON via a staged yard sale, collaborative art works, and a series of experiential programming that invites intimate connection and lasting impressions. McColl Center. Photos by Lindsey Miller. Opening Night performance by Darby Wilcox.

 GARBAGE PERSON is an immersive installation that embraces “trash” as both subject and material in an examination of consumer culture and the demand for commodifiable identity in late-stage Capitalism. Artist, Taylor Lee Nicholson deconstructs high a

GARBAGE PERSON is an immersive installation that embraces “trash” as both subject and material in an examination of consumer culture and the demand for commodifiable identity in late-stage Capitalism. Artist, Taylor Lee Nicholson deconstructs high and low culture in this work, encouraging patrons to interact with GARBAGE PERSON via a staged yard sale, collaborative art works, and a series of experiential programming that invites intimate connection and lasting impressions. McColl Center. Photos by Lindsey Miller. Opening Night performance by Darby Wilcox.

 GARBAGE PERSON is an immersive installation that embraces “trash” as both subject and material in an examination of consumer culture and the demand for commodifiable identity in late-stage Capitalism. Artist, Taylor Lee Nicholson deconstructs high a

GARBAGE PERSON is an immersive installation that embraces “trash” as both subject and material in an examination of consumer culture and the demand for commodifiable identity in late-stage Capitalism. Artist, Taylor Lee Nicholson deconstructs high and low culture in this work, encouraging patrons to interact with GARBAGE PERSON via a staged yard sale, collaborative art works, and a series of experiential programming that invites intimate connection and lasting impressions. McColl Center. Photos by Lindsey Miller. Opening Night performance by Darby Wilcox.

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 GARBAGE PERSON is an immersive installation that embraces “trash” as both subject and material in an examination of consumer culture and the demand for commodifiable identity in late-stage Capitalism. Artist, Taylor Lee Nicholson deconstructs high a

GARBAGE PERSON is an immersive installation that embraces “trash” as both subject and material in an examination of consumer culture and the demand for commodifiable identity in late-stage Capitalism. Artist, Taylor Lee Nicholson deconstructs high and low culture in this work, encouraging patrons to interact with GARBAGE PERSON via a staged yard sale, collaborative art works, and a series of experiential programming that invites intimate connection and lasting impressions. McColl Center. Photos by Lindsey Miller. Opening Night performance by Darby Wilcox.

Copy of 001200960028.jpg
 GARBAGE PERSON is an immersive installation that embraces “trash” as both subject and material in an examination of consumer culture and the demand for commodifiable identity in late-stage Capitalism. Artist, Taylor Lee Nicholson deconstructs high a

GARBAGE PERSON is an immersive installation that embraces “trash” as both subject and material in an examination of consumer culture and the demand for commodifiable identity in late-stage Capitalism. Artist, Taylor Lee Nicholson deconstructs high and low culture in this work, encouraging patrons to interact with GARBAGE PERSON via a staged yard sale, collaborative art works, and a series of experiential programming that invites intimate connection and lasting impressions. McColl Center. Photos by Lindsey Miller. Opening Night performance by Darby Wilcox.

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 GARBAGE PERSON is an immersive installation that embraces “trash” as both subject and material in an examination of consumer culture and the demand for commodifiable identity in late-stage Capitalism. Artist, Taylor Lee Nicholson deconstructs high a

GARBAGE PERSON is an immersive installation that embraces “trash” as both subject and material in an examination of consumer culture and the demand for commodifiable identity in late-stage Capitalism. Artist, Taylor Lee Nicholson deconstructs high and low culture in this work, encouraging patrons to interact with GARBAGE PERSON via a staged yard sale, collaborative art works, and a series of experiential programming that invites intimate connection and lasting impressions. McColl Center. Photos by Lindsey Miller. Opening Night performance by Darby Wilcox.

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 GARBAGE PERSON is an immersive installation that embraces “trash” as both subject and material in an examination of consumer culture and the demand for commodifiable identity in late-stage Capitalism. Artist, Taylor Lee Nicholson deconstructs high a
 GARBAGE PERSON is an immersive installation that embraces “trash” as both subject and material in an examination of consumer culture and the demand for commodifiable identity in late-stage Capitalism. Artist, Taylor Lee Nicholson deconstructs high a
 GARBAGE PERSON is an immersive installation that embraces “trash” as both subject and material in an examination of consumer culture and the demand for commodifiable identity in late-stage Capitalism. Artist, Taylor Lee Nicholson deconstructs high a
 GARBAGE PERSON is an immersive installation that embraces “trash” as both subject and material in an examination of consumer culture and the demand for commodifiable identity in late-stage Capitalism. Artist, Taylor Lee Nicholson deconstructs high a
 GARBAGE PERSON is an immersive installation that embraces “trash” as both subject and material in an examination of consumer culture and the demand for commodifiable identity in late-stage Capitalism. Artist, Taylor Lee Nicholson deconstructs high a
 GARBAGE PERSON is an immersive installation that embraces “trash” as both subject and material in an examination of consumer culture and the demand for commodifiable identity in late-stage Capitalism. Artist, Taylor Lee Nicholson deconstructs high a
 GARBAGE PERSON is an immersive installation that embraces “trash” as both subject and material in an examination of consumer culture and the demand for commodifiable identity in late-stage Capitalism. Artist, Taylor Lee Nicholson deconstructs high a
 GARBAGE PERSON is an immersive installation that embraces “trash” as both subject and material in an examination of consumer culture and the demand for commodifiable identity in late-stage Capitalism. Artist, Taylor Lee Nicholson deconstructs high a
 GARBAGE PERSON is an immersive installation that embraces “trash” as both subject and material in an examination of consumer culture and the demand for commodifiable identity in late-stage Capitalism. Artist, Taylor Lee Nicholson deconstructs high a
 GARBAGE PERSON is an immersive installation that embraces “trash” as both subject and material in an examination of consumer culture and the demand for commodifiable identity in late-stage Capitalism. Artist, Taylor Lee Nicholson deconstructs high a
 GARBAGE PERSON is an immersive installation that embraces “trash” as both subject and material in an examination of consumer culture and the demand for commodifiable identity in late-stage Capitalism. Artist, Taylor Lee Nicholson deconstructs high a
 GARBAGE PERSON is an immersive installation that embraces “trash” as both subject and material in an examination of consumer culture and the demand for commodifiable identity in late-stage Capitalism. Artist, Taylor Lee Nicholson deconstructs high a
 GARBAGE PERSON is an immersive installation that embraces “trash” as both subject and material in an examination of consumer culture and the demand for commodifiable identity in late-stage Capitalism. Artist, Taylor Lee Nicholson deconstructs high a
 GARBAGE PERSON is an immersive installation that embraces “trash” as both subject and material in an examination of consumer culture and the demand for commodifiable identity in late-stage Capitalism. Artist, Taylor Lee Nicholson deconstructs high a
 GARBAGE PERSON is an immersive installation that embraces “trash” as both subject and material in an examination of consumer culture and the demand for commodifiable identity in late-stage Capitalism. Artist, Taylor Lee Nicholson deconstructs high a
 GARBAGE PERSON is an immersive installation that embraces “trash” as both subject and material in an examination of consumer culture and the demand for commodifiable identity in late-stage Capitalism. Artist, Taylor Lee Nicholson deconstructs high a
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 GARBAGE PERSON is an immersive installation that embraces “trash” as both subject and material in an examination of consumer culture and the demand for commodifiable identity in late-stage Capitalism. Artist, Taylor Lee Nicholson deconstructs high a
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 GARBAGE PERSON is an immersive installation that embraces “trash” as both subject and material in an examination of consumer culture and the demand for commodifiable identity in late-stage Capitalism. Artist, Taylor Lee Nicholson deconstructs high a
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 GARBAGE PERSON is an immersive installation that embraces “trash” as both subject and material in an examination of consumer culture and the demand for commodifiable identity in late-stage Capitalism. Artist, Taylor Lee Nicholson deconstructs high a
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