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GARBAGE PERSON is an immersive installation that embraces “trash” as both subject and material in an examination of consumer culture and the demand for commodifiable identity in late-stage Capitalism. Artist, Taylor Lee Nicholson deconstructs high and low culture in this work, encouraging patrons to interact with GARBAGE PERSON via a staged yard sale, collaborative art works, and a series of experiential programming that invites intimate connection and lasting impressions. McColl Center. Photos by Lindsey Miller. Opening Night performance by Darby Wilcox.
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GARBAGE PERSON is an immersive installation that embraces “trash” as both subject and material in an examination of consumer culture and the demand for commodifiable identity in late-stage Capitalism. Artist, Taylor Lee Nicholson deconstructs high and low culture in this work, encouraging patrons to interact with GARBAGE PERSON via a staged yard sale, collaborative art works, and a series of experiential programming that invites intimate connection and lasting impressions. McColl Center. Photos by Lindsey Miller. Opening Night performance by Darby Wilcox.
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GARBAGE PERSON is an immersive installation that embraces “trash” as both subject and material in an examination of consumer culture and the demand for commodifiable identity in late-stage Capitalism. Artist, Taylor Lee Nicholson deconstructs high and low culture in this work, encouraging patrons to interact with GARBAGE PERSON via a staged yard sale, collaborative art works, and a series of experiential programming that invites intimate connection and lasting impressions. McColl Center. Photos by Lindsey Miller. Opening Night performance by Darby Wilcox.
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GARBAGE PERSON is an immersive installation that embraces “trash” as both subject and material in an examination of consumer culture and the demand for commodifiable identity in late-stage Capitalism. Artist, Taylor Lee Nicholson deconstructs high and low culture in this work, encouraging patrons to interact with GARBAGE PERSON via a staged yard sale, collaborative art works, and a series of experiential programming that invites intimate connection and lasting impressions. McColl Center. Photos by Lindsey Miller. Opening Night performance by Darby Wilcox.
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GARBAGE PERSON is an immersive installation that embraces “trash” as both subject and material in an examination of consumer culture and the demand for commodifiable identity in late-stage Capitalism. Artist, Taylor Lee Nicholson deconstructs high and low culture in this work, encouraging patrons to interact with GARBAGE PERSON via a staged yard sale, collaborative art works, and a series of experiential programming that invites intimate connection and lasting impressions. McColl Center. Photos by Lindsey Miller. Opening Night performance by Darby Wilcox.
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GARBAGE PERSON is an immersive installation that embraces “trash” as both subject and material in an examination of consumer culture and the demand for commodifiable identity in late-stage Capitalism. Artist, Taylor Lee Nicholson deconstructs high and low culture in this work, encouraging patrons to interact with GARBAGE PERSON via a staged yard sale, collaborative art works, and a series of experiential programming that invites intimate connection and lasting impressions. McColl Center. Photos by Lindsey Miller. Opening Night performance by Darby Wilcox.
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GARBAGE PERSON is an immersive installation that embraces “trash” as both subject and material in an examination of consumer culture and the demand for commodifiable identity in late-stage Capitalism. Artist, Taylor Lee Nicholson deconstructs high and low culture in this work, encouraging patrons to interact with GARBAGE PERSON via a staged yard sale, collaborative art works, and a series of experiential programming that invites intimate connection and lasting impressions. McColl Center. Photos by Lindsey Miller. Opening Night performance by Darby Wilcox.
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GARBAGE PERSON is an immersive installation that embraces “trash” as both subject and material in an examination of consumer culture and the demand for commodifiable identity in late-stage Capitalism. Artist, Taylor Lee Nicholson deconstructs high and low culture in this work, encouraging patrons to interact with GARBAGE PERSON via a staged yard sale, collaborative art works, and a series of experiential programming that invites intimate connection and lasting impressions. McColl Center. Photos by Lindsey Miller. Opening Night performance by Darby Wilcox.
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GARBAGE PERSON is an immersive installation that embraces “trash” as both subject and material in an examination of consumer culture and the demand for commodifiable identity in late-stage Capitalism. Artist, Taylor Lee Nicholson deconstructs high and low culture in this work, encouraging patrons to interact with GARBAGE PERSON via a staged yard sale, collaborative art works, and a series of experiential programming that invites intimate connection and lasting impressions. McColl Center. Photos by Lindsey Miller. Opening Night performance by Darby Wilcox.
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GARBAGE PERSON is an immersive installation that embraces “trash” as both subject and material in an examination of consumer culture and the demand for commodifiable identity in late-stage Capitalism. Artist, Taylor Lee Nicholson deconstructs high and low culture in this work, encouraging patrons to interact with GARBAGE PERSON via a staged yard sale, collaborative art works, and a series of experiential programming that invites intimate connection and lasting impressions. McColl Center. Photos by Lindsey Miller. Opening Night performance by Darby Wilcox.
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GARBAGE PERSON is an immersive installation that embraces “trash” as both subject and material in an examination of consumer culture and the demand for commodifiable identity in late-stage Capitalism. Artist, Taylor Lee Nicholson deconstructs high and low culture in this work, encouraging patrons to interact with GARBAGE PERSON via a staged yard sale, collaborative art works, and a series of experiential programming that invites intimate connection and lasting impressions. McColl Center. Photos by Lindsey Miller. Opening Night performance by Darby Wilcox.
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GARBAGE PERSON is an immersive installation that embraces “trash” as both subject and material in an examination of consumer culture and the demand for commodifiable identity in late-stage Capitalism. Artist, Taylor Lee Nicholson deconstructs high and low culture in this work, encouraging patrons to interact with GARBAGE PERSON via a staged yard sale, collaborative art works, and a series of experiential programming that invites intimate connection and lasting impressions. McColl Center. Photos by Lindsey Miller. Opening Night performance by Darby Wilcox.
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GARBAGE PERSON is an immersive installation that embraces “trash” as both subject and material in an examination of consumer culture and the demand for commodifiable identity in late-stage Capitalism. Artist, Taylor Lee Nicholson deconstructs high and low culture in this work, encouraging patrons to interact with GARBAGE PERSON via a staged yard sale, collaborative art works, and a series of experiential programming that invites intimate connection and lasting impressions. McColl Center. Photos by Lindsey Miller. Opening Night performance by Darby Wilcox.
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GARBAGE PERSON is an immersive installation that embraces “trash” as both subject and material in an examination of consumer culture and the demand for commodifiable identity in late-stage Capitalism. Artist, Taylor Lee Nicholson deconstructs high and low culture in this work, encouraging patrons to interact with GARBAGE PERSON via a staged yard sale, collaborative art works, and a series of experiential programming that invites intimate connection and lasting impressions. McColl Center. Photos by Lindsey Miller. Opening Night performance by Darby Wilcox.
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GARBAGE PERSON is an immersive installation that embraces “trash” as both subject and material in an examination of consumer culture and the demand for commodifiable identity in late-stage Capitalism. Artist, Taylor Lee Nicholson deconstructs high and low culture in this work, encouraging patrons to interact with GARBAGE PERSON via a staged yard sale, collaborative art works, and a series of experiential programming that invites intimate connection and lasting impressions. McColl Center. Photos by Lindsey Miller. Opening Night performance by Darby Wilcox.
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GARBAGE PERSON is an immersive installation that embraces “trash” as both subject and material in an examination of consumer culture and the demand for commodifiable identity in late-stage Capitalism. Artist, Taylor Lee Nicholson deconstructs high and low culture in this work, encouraging patrons to interact with GARBAGE PERSON via a staged yard sale, collaborative art works, and a series of experiential programming that invites intimate connection and lasting impressions. McColl Center. Photos by Lindsey Miller. Opening Night performance by Darby Wilcox.
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GARBAGE PERSON is an immersive installation that embraces “trash” as both subject and material in an examination of consumer culture and the demand for commodifiable identity in late-stage Capitalism. Artist, Taylor Lee Nicholson deconstructs high and low culture in this work, encouraging patrons to interact with GARBAGE PERSON via a staged yard sale, collaborative art works, and a series of experiential programming that invites intimate connection and lasting impressions. McColl Center. Photos by Lindsey Miller. Opening Night performance by Darby Wilcox.
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GARBAGE PERSON is an immersive installation that embraces “trash” as both subject and material in an examination of consumer culture and the demand for commodifiable identity in late-stage Capitalism. Artist, Taylor Lee Nicholson deconstructs high and low culture in this work, encouraging patrons to interact with GARBAGE PERSON via a staged yard sale, collaborative art works, and a series of experiential programming that invites intimate connection and lasting impressions. McColl Center. Photos by Lindsey Miller. Opening Night performance by Darby Wilcox.
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GARBAGE PERSON is an immersive installation that embraces “trash” as both subject and material in an examination of consumer culture and the demand for commodifiable identity in late-stage Capitalism. Artist, Taylor Lee Nicholson deconstructs high and low culture in this work, encouraging patrons to interact with GARBAGE PERSON via a staged yard sale, collaborative art works, and a series of experiential programming that invites intimate connection and lasting impressions. McColl Center. Photos by Lindsey Miller. Opening Night performance by Darby Wilcox.
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